Pakkende Titel
A striking element in the exhibition’s content is the dope sheet from September 11, 1973—the day of the coup in Chile. This handwritten logbook, in which Gerretsen meticulously recorded his observations and the locations of unfolding events, forms the backbone of the narrative presented in the exhibition. It is this document that offers visitors the opportunity to explore the complex layers of historical context and experience how the personal perspective of a photographer becomes intertwined with societal and political realities.
A striking element in the exhibition’s content is the dope sheet from September 11, 1973—the day of the coup in Chile. This handwritten logbook, in which Gerretsen meticulously recorded his observations and the locations of unfolding events, forms the backbone of the narrative presented in the exhibition. It is this document that offers visitors the opportunity to explore the complex layers of historical context and experience how the personal perspective of a photographer becomes intertwined with societal and political realities.
The content of the exhibition extends beyond a chronological account of facts. It invites visitors to reflect on the role of photography as both a witness and an interpreter of history. The carefully curated sequences of images not only reveal the raw reality of the time but also provoke contemplation on the impact of visual documentation on our collective memory. Every element, from intimate portraits to sweeping cityscapes of Santiago, contributes to a dynamic narrative where observation and experience go hand in hand.
Through this approach, the exhibition becomes a powerful arena where past and present engage in dialogue. The archive thus transforms from a mere collection of images into a living platform, inviting viewers to rediscover how photography is not just a passive representation but an active instrument in capturing and reinterpreting history.
